Tish Hinojosa, March 28, 2003
Tish Hinojosa
Hinojosa did not use songs as vehicles to advance an image, an ego, a persona, a career. She subsumed herself to the thematic substance and graceful flow of her music — an act of great purity made possible by her rare purity of voice. Here was an artist — singing in English and Spanish and backed by a guitarist and a keyboards-accordion player — who trusted that her songs were meaningful and graceful, that her voice was lovely and that nothing more would be needed to reach her audience. She was right. The gathering of 150 or so fans was enthralled, both by the eight-song sequence of “Labyrinth"-ine mysteries and the earthy folk-rock, country and Tex-Mex music that followed.   MIKE BOEHM, LOS ANGELES TIMES
FOR TISH HINOJOSA IT WAS NO JINX to be the thirteenth child in a Mexican-American family living in San Antonio. The radio was always on, playing old ballads on the Mexican station, conjunto music from San Antonio, or Spanish pop tunes. By the time Tish reached her teens, the folk and pop music of the late sixties grabbed her attention, along with the social message it carried.

Since then, her life has been woven from many strands: Hispanic culture, farmworkers’ and immigrants’ rights, the women’s movement, advocacy for bilingual education. . . and let’s not forget the music. Hinojosa has embraced country, pop and folk music, played it straight up or mixed, in a hauntingly beautiful voice that illuminates the music from within. She started writing her own material when she was in her mid-twenties, spent some time in Nashville but finally turned away from country-western and back to her roots. Her career took off from “the songwriters’ haven of Austin” with the 1989 release of her first album, “Homeland.”

Twelve albums, many record labels, and some hard personal traveling later, Tish Hinojosa is in full bloom as writer and performer. Treat yourself to an intimate and diverse evening with an artist who knows how to put her inner and outer worlds into song.

$18

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