Gordon Bok grew up around the boatyards of Camden, Maine, and worked on many different boats, from fishing boats to passenger schooners to yachts, on his own coast and others. As he sailed, he learned songs and ballads of the sea and the schooners and the fishes and fishermen. Later he sang of mythical sea folk, seals and selkies who came to him in dreams and legends. At a time when folk music was experiencing a great revival, he was a leader in preserving, collecting, creating and sharing a wide variety of rich and intensely beautiful songs of both land and sea. His mastery of both the 6- and 12-string guitars added to his already well-developed vocal expression to create an unmistakable style that has carried him through decades of being one of our most cherished folk artists. He has made more than a score of albums, and many other musicians, including Archie Fisher, Liam Clancy and Tommy Makem, have recorded his songs. In addition, his music has been used in films and published in folk music anthologies, including Rise Up Singing and his own collections, Time and The Flying Snow and One To Sing, One To Haul.

Gordon grew up in a musical home and started playing guitar when he was nine. After high school, he worked on boats and collected sea songs. During the winter, he worked as a carpenter and teacher in Philadelphia where he discovered a thriving folk music scene and began performing. Dissatisfied with the images generally portrayed of people who work on the water, he began to write songs based in the experiences of those he knew, real people whose language was honest, whose feelings were credible. These early works, songs like “Bay of Fundy,” began to get attention, as did his rich voice and fluid guitar work. Paul Stookey, of the folk trio Peter, Paul and Mary, produced Gordon’s first album for Verve.

In addition to performing in concert halls, coffeehouses and festivals throughout the U.S., Canada, Great Britain and Scandinavia, Gordon has taught choral singing and song writing at summer music camps and other gatherings. He has organized choral groups in his own community and gladly shares his knowledge with others wishing to do the same. A superb storyteller, he often introduces songs in concert with a bit of their origin and history.

Besides his countless solo appearances, Gordon toured for nearly thirty years with the trio, Bok, Muir and Trickett. He has also performed with his wife, harper Carol Rohl and with Anne Dodson, Cindy Kallet, Bob Zentz, Margaret MacArthur and other well-known folk artists. He has appeared in concert with the Paul Winter Consort and the Indianapolis Symphony Orchestra, and has been heard on NPR’s A Prairie Home Companion. He has served both as Artist-in Residence and faculty member of the College of the Atlantic. Although he never graduated from college, he received an honorary Doctor of Science degree from the Maine Maritime Academy in 1997.

Debra Cowan

Debra Cowan makes a special appearance as the opening act for this show. Like Bok, she tells wonderful stories in song. Her rich voice conjures images of stony grey Celtic castles, green and rolling English landscapes, and humorous American urban scenes. Leaving the audience spellbound after a woeful traditional ballad of love gone wrong, she immediately brings laughter with an outrageous comic song.

Since the 2001 release of her solo debut “The Long Grey Line,” Debra has become a familiar name in and around folk music on both sides of the Atlantic for her clear vocals and beautifully rendered songs, which have been described as “stunning”. She has appeared at numerous concert venues and on radio programs throughout the United States and the United Kingdom

Debra has been a featured performer at the Greater New Bedford Summerfest, Mystic Seaport Sea Music Festival, Champlain Valley Folk Festival, Lancaster Maritime Festival (UK), Edinburgh Festival (UK) and the Chico World Music Festival. She was one of 18 artists selected as a Formal Showcase Artist at the 2002 Northeast Regional Folk Alliance Annual Conference and is a past Falcon Ridge Folk Festival Showcase Artist. Sandy and Caroline Paton, the founders of Folk Legacy Records, have said of Cowan: “Accompanied or unaccompanied, she presents a song with exceptional story-telling skills and a keen understanding of traditional music that is rare among her contemporaries.”

 

 

There is something deeply rooted, ancient and timeless to [Bok’s] songs, yet he is an utter original. From the instruments he plays to the myths he explores, the music is indelibly his own. Sing Out! magazine

[Debra Cowan's] respect and love of the music whether traditional or contemporary, is unmistakable. Although Debra's voice has the clarity and pureness of a Judy Collins or a Maddy Prior, she is in a class by herself. Alan & Helene Korolenko, Greater New Bedford Summerfest