Arguably the best traditional jazz band in the world, the New Black Eagles have entertained music lovers from Hopkinton to Singapore for more than 30 years. Their 600-plus song repertoire covers a wide range of music: early New Orleans style; Chicago of the 1920’s; 1930’s small band jazz; the early jazz revival of the 1940’s and 1950’s; and original pieces written by a number of band members.

The New Black Eagle Jazz Band is made up of a family of seven full time members plus a moderate number of players who substitute often enough to be considered family as well. The “regulars” include: C.H. “Pam” Pameijer, the drummer who has been playing with the Eagles since the beginning; Bob Pilsbury, who tinkles the ivories (and absolutely loves the piano at the Me&Thee, so expect some extra special piano tunes); Peter Bullis, the lively banjo player who also handles all the paperwork and management required to keep the band on the road and in the studio; Stan Vincent on trombone since 1971; Tony Pringle, the classy cornetist, musical leader and co-founder of the band; and Billy Novick on alto sax, clarinet and sometimes soprano saxophone. (He’s only been with the band since 1986. Billy’s also known to Me&Thee goers as the “other half” of Guy Van Duser and Billy Novick.)

The New Black Eagles are known for their ability to infuse ordinary tunes with a special touch — take the Yuletide classics on their Christmas album, for instance. “Tannenbaum” evolves from a waltz to a stomp and eventually “March Of The Bobcats” (the chord structure is the same); “Blue Christmas” sounds as if it’s ready to become a standard; Novick’s alto performs the rarely-played verse of “Santa Claus Is Coming To Town”; “Jingle Bells” really swings and Eagles fans are even treated to four numbers with vocals. Considering the season, we may be so lucky!

New Black Eagles
So far ahead of other traditional bands . . . there is scarcely any basis for comparison.
John S. Wilson, The New York Times

. . . As close to perfection as you'll get, strong in soloists, spirited in the ensembles, with a sense of dynamics that casts them apart from most of their contemporaries.
John Gibson, Edinburgh