Cris Williamson



A S A SINGER, SONGWRITER, AND TEACHER of the “art of the possible,” Cris Williamson became well known in the 1970s with the release of one of the best-selling independent albums of all time, “The Changer and the Changed.” Bonnie Raitt said that Williamson’s music was “like hearing honey dripped on a cello.” Add to that some of the most powerful lyrics known to womankind (oh, okay, mankind too!) and you get only a tiny glimpse of what a performance by Cris Williamson is like.

Cris describes her latest album “Ashes” as “conceived in misery and birthed in joy.” This album appeals to anyone who has ever had to unbreak a heart or find redemption within herself. The emotions on the album range from wistful heartache to wry yearning to a down-to-the-bone endurance.

Williamson was long associated with Tret Fure, another pioneering member of the women’s music community. The break-up of this partnership after 20 years was what brought about “Ashes” and is responsible for bringing Cris back to the stage. She discovered new-found strength and conveyed a pure sense of beauty because she was able to emerge from a ravaged and dark place.

The South Dakotan native very much considers herself a teacher. “I teach the art of songwriting in a workshop called ‘Song of the Soul.’ It’s a lyrical approach to life.” Williamson’s influence are diverse: the Beatles, Bob Dylan, Judy Collins, Joan Baez and Elvis. But, ultimately, Judy Collins was the ” book” Cris studied from. She says, “The artists you listen to in your youth are important, like the books you read.”

Cris continues to be hailed as a guiding force not just in women’s music, but in the entire independent recording industry. She has most definitely paved the way for all the young female singer-songwriters on their way up the ladder of success.

$20

Anyone can listen to her albums and get something from them. What you can’t get except in a live concert is Cris herself; the stories she tells, the spell she weaves. . . The Middlebury concert was a solo performance which allowed Williamson to set a mood in the first set and build on its intensity in the second. She had the audience completely with her throughout. This was one of the most varied audiences I have ever seen at Williamson concert. There were lots of men, lots of straight people, and lots of college students, all unfamiliar with her music. Their excitement as they discovered this music was palpable.  Sage Russell, Out in the Mountains
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Cris Williamson
23 April 2004