Alarik-Davis-Connolly, April 11, 2003
Alarik-Connolly-Davis
I T’S SPRING (or we think it is), and that means that Scott Alarik is bringing talent worthy of greater recognition to the world-famous Me&Thee stage. This year we have a mix of traditional and contemporary music from two very fine artists. Scott himself, of course, has been writing songs and singing them for two or three decades and is a highly regarded commentator on the folk scene for the Boston Globe, Sing Out! magazine and NPR’s mid-day news show “Here and Now.” He has just brought out in book form a marvelous collection of his articles, Deep Community: Adventures in the Modern Folk Underground, which will be available at the concert and from the publisher’s website.

We’d be all for child labor if every case were like Rachael Davis’s. Her musical parents had her performing on stage with them since she was two. A tender twenty years later, Rachael has seen more stages than most octagenarians. Her repertoire includes jazz, folk, blues, and pop songs, but she is increasingly known for her own compositions and her stunning voice. Matt Smith (of Club Passim/Folk Web) says of Rachael’s first album: “[‘Minor League Deities’] covers a nice range from contemporary singer/songwriter, to a capella, blues and jazz . . . not to mention a great banjo tune! To top it all off, there’s Rachael’s voice. . . She’s got an incredibly powerful voice, but doesn’t feel the need to knock you down with it on every track. There’s a great nuance and tension when she holds back just enough to keep you on the edge of your seat. All in all — a five-star record!”

On the same stage we will have Séamus Connolly, one of the most respected master Irish musicians of all time. Born in Country Clare, Ireland, Connolly is currently Director of The Boston College Irish Studies Music, Song and Dance Program. Séamus has won the Irish National Fiddle Championship ten times. (Let’s say that again: ten times.) He’s had the honor of representing Ireland on three “Masters of the Folk Violin” tours organized by the National Council for the Traditional Arts. Connolly has performed at most major festivals in the United States, including the National Folk Festival, Smithsonian Festival of American Folklife, Wolf Trap Irish Folk Festival and American Roots Fourth of July Celebration. He also performed on the “Folk Masters” radio series, which was broadcast nationwide on National Public Radio. He has many recordings, both solo and with accompanists of legendary stature in Irish music. As a performer, teacher and lecturer, he has taught and performed all over the world and has received numerous awards and grants for his artistry and role in the propagation of traditional music.

You don’t want to miss this evening of music!

$12


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With a voice that moving — we could listen to [Rachael Davis] sing the alphabet all night and that would be enough.  EDDIE FROM OHIO

[Séamus Connolly’s] great success and technical precision in competitions in the ’60s was, to me, hugely influential in setting the high standard of craft expected from today’s players, while his connection with the older generation of musicians preserved the earlier values of the tradition. His presence and committed teaching in Boston has been influential up and down the East Coast, making it a badge of honor for the area’s musicians to have a tune from Séamus, and his work with the Gaelic Roots Summer Program at Boston College makes the tradition accessible to an ever broadening circle.  BRENDAN TAAFE, FIDDLER MAGAZINE

I have rarely seen an audience in such a good mood as when [Scott Alarik’s] just been there.  GARRISON KEILLOR

On the web:
» Rachel Davis
» Séamus Connolly
» Scott Alarik